If you would like to know more about some of the areas covered in my book, this page includes details of some of the sources I found most useful.
Philosophy and Culture
Brewer, John. 1997. The Pleasures of the Imagination: English Culture in the Eighteenth Century. London: HarperCollins.
Hume, David. 1978. A Treatise of Human Nature, ed. L. A. Selby-Bigge. 2nd edn., rev. P. H. Nidditch. Oxford: Oxford University Press.
Hume, David. 2007. An Enquiry Concerning Human Understanding, ed. Peter Millican. Oxford: Oxford University Press.
Locke, John. 1975. An Essay Concerning Human Understanding, ed. P. H. Nidditch. Oxford: Oxford University Press.
Seigel, Jerrold. 2005. The Idea of the Self: Thought and Experience in Western Europe since the Seventeenth Century. New York: Cambridge University Press.
Smith, Adam. 2009. The Theory of Moral Sentiments, ed. R. P. Hanley. New York: Penguin.
Wahrman, Dror. 2004. The Making of the Modern Self: Identity and Culture in Eighteenth-Century England. New Haven: Yale University Press.
Austen
Bray, Joe. 2009. The Female Reader in the English Novel: From Burney to Austen. London and New York: Routledge.
Brown, Jessica. 2014. ‘So Much Novelty and Beauty!’: Persuasion and the Spacious Aesthetic of Restraint. In Jane Austen and the Arts: Elegance, Propriety, and Harmony, ed. Natasha Duquette and Elisabeth Lenckos, 179-192. Lanham: Rowman and Littlefield.
Butler, Marilyn. 1975. Jane Austen and the War of Ideas. Reprinted 2002 with a new Introduction, 1987. Oxford: Clarendon Press.
Clery, E. J. 2012. Austen and Masculinity. In A Companion to Jane Austen, ed. Claudia L. Johnson and Clara Tuite, 332-342. Chichester: Wiley-Blackwell.
Dames, Nicholas. 2001. Austen’s Nostalgics. Representations 73, 1: 117-143.
Gemmill, Katie. 2011. ‘Jane Austen as Editor: Letters on Fiction and the Cancelled Chapters of Persuasion’. Eighteenth-Century Fiction 24, 1 : 105-122.
Halsey, Katie. 2013. Jane Austen and her Readers, 1786-1945. London and New York: Anthem Press.
Johnson, Claudia L. 1988. Jane Austen: Women, Politics, and the Novel. Chicago: University of Chicago Press.
Knox-Shaw, Peter. 2004. Jane Austen and the Enlightenment. Cambridge: Cambridge University Press.
Looser, Devoney (ed.). 1995. Jane Austen and Discourses of Feminism. New York: St Martin’s Press.
Morini, Massimiliano. 2009. Jane Austen’s Narrative Techniques: A Stylistic and Pragmatic Analysis. Farnham: Ashgate.
Murphy, Olivia. 2013. Jane Austen the Reader: The Artist as Critic. Basingstoke: Palgrave Macmillan.
Nelson, James Lindemann. 2011. Memory, Estrangement, and Nostalgia in Mansfield Park. Soundings: An Interdisciplinary Journal 94, 1/2: 77-97.
Poovey, Mary. 1984. The Proper Lady and the Woman Writer: Ideology as Style in the Works of Mary Wollstonecraft, Mary Shelley, and Jane Austen. Chicago: University of Chicago Press.
Valihora, Karen. 2010. Austen’s Oughts: Judgment after Locke and Shaftesbury. Newark: University of Delaware Press.
Warhol, Robyn R. 2007. Narrative Refusals and Generic Transformation in Austen and James: What Doesn’t Happen in Northanger Abbey and The Spoils of Poynton. The Henry James Review 28, 3: 259-268.
Waldron, Mary. 1999. Jane Austen and the Fiction of her Time. Cambridge: Cambridge University Press.
Wallace, Tara Ghoshal. 1988. Northanger Abbey and the Limits of Parody. Studies in the Novel 20, 3: 262-273.
The Novel and Reading Practice
Armstrong, Nancy. 1987. Desire and Domestic Fiction: A Political History of the Novel. New York: Oxford University Press.
Bakhtin, M. M. 1981. Discourse in the Novel. In The Dialogic Imagination: Four Essays by M. M. Bakhtin, ed. Michael Holquist, trans. Caryl Emerson and Michael Holquist, 259-422. Austin: University of Texas Press.
Bray, Joe. 2003. The Epistolary Novel: Representations of Consciousness. London and New York: Routledge.
Cohn, Dorrit. 1978. Transparent Minds: Narrative Modes for Presenting Consciousness in Fiction. Princeton: Princeton University Press.
Erickson, Lee. 1990. The Economy of Novel Reading: Jane Austen and the Circulating Library. Studies in English Literature, 1500-1900 30, 4: 573-590.
Iser, Wolfgang. 1978. The Act of Reading: A Theory of Aesthetic Response. Baltimore: Johns Hopkins University Press.
Lynch, Deidre Shauna. 1998. The Economy of Character: Novels, Market Culture, and the Business of Inner Meaning. Chicago: University of Chicago Press.
Mullan, John. 1997. Feelings and Novels. In Rewriting the Self: Histories from the Renaissance to the Present, ed. Roy Porter, 119-131. London: Routledge.
Prince, Gerald. 1988. The Disnarrated. Style 22, 1:1-8.
Richardson, Alan. 2005. Reading Practices. In Jane Austen in Context, ed. Janet Todd, 397-405. New York: Cambridge University Press.
Watson, Nicola J. 1994. Revolution and the Form of the British Novel, 1790-1825: Intercepted Letters, Interrupted Seductions. Oxford: Clarendon Press.